|
Date
|
Action
|
To be done by
|
By whom
|
Discussions
|
|
05.11.2012
|
Review individual storyboards
|
05.11.2012
|
Whole group
|
Discuss ideas and concepts that group members have,
reflect on the ideas and then create a group storyboard
|
|
08.11.2012
|
Group Narrative
|
15.11.2012
|
Whole Group
|
To establish a narrative for the opening sequence of
our thriller
|
|
17.11.2012
|
Production Roles
|
17.11.2012
|
Whole Group
|
To allocate a production role to each member of the
group; looking at personal strengths
|
|
20.11.2012
|
Narrative theory
|
20.11.2012
|
Whole Group
|
To decide which theory would be best suited to our
narrative
|
|
22.11.2012
|
Planning mise-en-scene
|
25.11.2012
|
Whole Group
|
To plan the mise-en-sene (setting, costume, iconography, lighting, positioning, facial
expressions and body language) of our thriller opening
|
|
27.11.2012
|
Planning opening credits
|
29.11.2012
|
Whole Group
|
To plan the font, positioning and colour of the
credits
|
|
30.11.2012
|
Character Representation
|
30.11.2012
|
Whole Group
|
To decide on the qualities of our main characters in
order for the audience to build a relationship with them
|
|
1.12.2012
|
Group Storyboard
|
3.12.2012
|
Whole Group
|
To create a storyboard outlining the aspects of each
scene
|
|
5.12.2012
|
Planning sound and editing
|
8.12.2012
|
Whole Group
|
To plan the sound, transitions and effects of each
scene
|
|
9.12.2012
|
Filming schedule
|
9.12.2012
|
Amie Austin
|
To prepare a schedule consisting of times and dates of
filming
|
|
9.12.2012
|
Risk Assessment
|
9.12.2012
|
Luke Thompson
|
To analyse potential risks that could happen during
filming and how to prevent them
|
|
11.12.2012
|
Filming of opening
|
11.12.2012
|
Whole Group
|
To film a two-minute opening sequence
|
|
12.12.2012
|
Editing and sound
|
19.12.2012
|
Luke Thompson & Max Heath
|
To edit the footage on ‘Final Cut Express’ and insert
sound
|
|
20.12.2012
|
Audience feedback
|
20.12.2012
|
Amie Austin & Max Heath
|
To screen our thriller and receive feedback; positive
and negative
|
Why are meetings important to a production?
Meeting are important to a production as they enhance efficiency. All members of the group were able to communicate regarding all decision making and potential issues that could have occurred. This enabled us to make progress and constant improvements in order to meet the requirements of the thriller opening. Communication also allowed us to work better as a team.
Overall do you think your group worked well together?
As a result of meeting on a regular basis, decisions were made effectively as all viewpoints were taken into consideration. This allowed us to maintain a positive working relationship with one another. Tasks were distributed evenly to the suited person according to the task. For instance due to previous experence amie was very good at mangaing files this helped us to work well and meet each others skills.
